ARTS and CULTURE
NYC’s Native Groups Weigh in on the Columbus Controversy
Sharline Dominguez |
Most want the statue gone. But they see that as a beginning, not an end, of changes in how the city acknowledges and serves indigenous people.
Most want the statue gone. But they see that as a beginning, not an end, of changes in how the city acknowledges and serves indigenous people.
People who work to preserve traditional arts among the city’s immigrant communities find themselves in the crosshairs of two thrusts of President Trump’s policy: closing borders and cutting budgets.
Leagues from the northwest Bronx to Brooklyn and Staten Island report fielding 50 to 70 percent fewer players this year as other sports, longer school days, rising fees and other factors squeeze the game.
Artists are hoping to produce work relevant to the issues facing neighborhoods and connect with people leading the fight for change.
‘It is a responsibility to look towards the betterment of all, living in the neighborhood.’
NYCHA has undertaken a comprehensive effort to inventory the art it owns with the aim of making it more visible to residents and the city at large. The hope is to make the value of public housing clearer to all.
In a span of three weeks, Kilusan Bautista experienced the fear and rejection of being evicted, living on the street and being denied for new places to live. From that dark place, he created a one-man show exploring the human impact of gentrification and displacement. A video story by Melissa Cooper.
A top hip-hop concert promoter, a veteran entertainment lawyer and a music journalist talk about the past and present of protest music, especially its hip-hop variety.
‘People tend to have a stereotyped notion of who’s incarcerated and I think when they see people presenting their lives or being creative, they have to reconsider.’
The walls of city buildings often become memorials to children claimed by disease, to adults taken by violence or to the victims of war or terrorist attacks. It’s a way for memories to live on, until the mural itself becomes a thing of the past.