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All’s Well That End’s Well
July 6, 2017 @ 7:00 pm - July 22, 2017 @ 9:00 pmFree
“ALL’S WELL THAT ENDS WELL” JULY 6-22
It’ll be the first production of this “problem play” in The Drilling Company’s Shakespeare in the Parking Lot–or in any other parking lot for that matter.
WHERE AND WHEN:
July 6 to 22, 2017
La Plaza @ The Clemente Parking Lot, 114 Norfolk Street (E. side of Norfolk St. between Delancey and Rivington)
Thursdays – Saturdays at 7:00 PM
Subways: F to Delancey Street, M to Essex Street.
Presented by The Drilling Company
Info call 212-877-0099 or visit www.shakespeareintheparkinglot.com and www.drillingcompany.org
Running time: 2 hours (without intermission)
We open our 23rd season July 6 to 22 with “All’s Well That Ends Well,” directed by Karla Hendrick. It’s the first time this play has been presented in a parking lot, ever.
Helena is the only daughter of a famous French physician. Although a gentlewoman, she is not nobility, and for that the man she loves, a count named Bertram, her rank is not enough. He rejects her but she follows him to the court of the King of France, who is ailing. Bearing her father’s potions, she offers to cure the monarch on a gamble: if he dies, she will submit to execution, but if he lives, she can choose a husband from anyone in his court. She chooses Bertram, who is forced to marry her and does, but he flees immediately after the ceremony to Italy to fight in the Tuscan Wars. He issues an impossible challenge: he will only be Helena’s husband after she has borne his child and wears his family ring. In Italy he distinguishes himself as both a warrior and a seducer of local girls. Helena tails him to Italy, where she befriends Diana, a virgin he is smitten with. Helena poses as Diana in his dark bedchamber and Diana manages to obtain Bertram’s ring in exchange for one of Helena’s. So the marriage is complete, whereupon Helena fakes her own death to lure Bertram home. Back in France, Bertram tries to marry the daughter of a Lord but Diana breaks up the engagement with her revelations. Bertram, impressed by all Helena has done to win him, swears love to her. This resolution fulfills the proverb: all’s well that ends well. The play offers side-splitting comedy in the self-serving machinations of Parolles, a disloyal associate of Bertram, and by a clown of Bertram’s household. But its moments of levity are interlaced with gut-wrenching pathos, causing it to be labeled one of Shakespeare’s “problem plays.”
In its previous 22 years, Shakespeare in the Parking Lot has never before presented this tricky play and there is no record of it being produced in any other parking lot. The Drilling Company has been producer of Shakespeare in the Parking Lot since 2006 and is also the exclusive producer of Shakespeare plays in Bryant Park. The troupe has been kicking around the idea of doing this challenging play for about four years.
To director Karla Hendrick, the play’s quick shifts in tone are Chekhovian and that is the source of its strength and beauty. She explains that the play might seem to depict a smart woman who falls for the bad boy and makes dumb choices. But viewed through the healing power of the feminine, it becomes a discovery of becoming a woman and what it means to become a man. Helena, on her journey of self-discovery, is driven by her heart and a positive life philosophy. She makes bold choices and is emboldened with each success. Bertram is on a journey too; becoming a war hero and learning what it means to be a man. The play, then, is a Chekhovian coming of age story of two young people united through diverse journeys through despair and darkness.
Ms. Hendrick has chosen to set the piece in southeastern France just before the fascist invasion of World War II. This is to illuminate themes of the muting of women’s role and voice, the breakdown of patriarchal systems, and the fight against fascism (or lack of fight). The cloud of an uncertain future is always present; in the end, we don’t know what choices Helena and Bertram will make but we are meant to wonder how the impending darkness will deepen their journeys.
The actors are Anwen Darcy, Una Clancy, Michael Bernstein, Michael Gnat, Elaine Ivy Harris, Elowyn Castle, Adam Huff, Mary Linehan, Eric Paterniani, Jarrod Bates, David Sitler and Gabriela Montalvo. Costume design is by Sofia Piccolo and Grace Whittemore. Sound design is by Andrew Keenan.
Assistant director is Andrew Gombas. Stage Managers are Em Hornbeck and Joseph Treimanis. Assistant Stage Manager is Rachel Jeffries.
Karla Hendrick is one of The Drilling Company’s most accomplished actresses. Her performance as Betty in “The Norwegians” by C. Denby Swanson, she was cited by The New York Times as one of the Top 25 Quirky and Magical Moments in Theater of 2013. Her other significant roles in the company include the Woyzeck character’s psychiatrist in “Reservoir” by Eric Henry Sanders and her performances in both the Parking Lot and Bryant Park in “Hamlet” (Gertrude) and “The Merry Wives of Windsor” (Mistress Ford). She earned a BA in Theater Arts from Mount Holyoke, attended the British American Drama Academy, Oxford and earned an MFA from Brooklyn College. She is a Master Teaching Artist at the Metropolitan Opera Guild. She has been a guest artist-educator at the Pedagogy and Theater of the Oppressed National Conference and a professional artist/panelist at the New England Women’s Global Leadership Conference. This is her directorial debut.
The cast is filled with standout actors of The Drilling Company. Anwen Darcy (Helena) stole the show as Mercutio in “Romeo and Juliet” in Bryant Park in 2015. Elowyn Castle (Bertram’s mother) directed “The Norwegians” and was commended by The New York Times for her performance in the Parking Lot as Coriolanus’ mother Volumnia, the pushy and hard-bitten “Momma Rose of the Roman military.” Adam Huff (Bertram) got the girl last summer as Bassanio in “The Merchant of Venice” in the Parking Lot. David Sitler (King of France) was critically praised as Claudius in “Hamlet” and Dogberry in “Much Ado About Nothing.” Eric Paterniani and Jarrod Bates are The Drilling Company’s leading Shakespearean clowns. The part of The Fool, traditionally played by a man, has been cast with Mary Linehan (Hero in “Much Ado About Nothing” and Bianca in “The Taming of the Shrew”). Michael Bernstein, who plays, was Lucio in “Measure for Measure.” Michael Gnat, playing Lafew, was the company’s Polonius in “Hamlet” in Bryant Park. Elaine Ivy Harris (Diana) played Celia in “As You Like It.”